Sinopsis
As examples of influential popular culture TV series epitomise the rich, diversified heritage of twentieth and twenty-first-century consumer culture, reflecting social and political scenarios of our times. Ideas and concepts beneath successful series are examined in the selected peer reviewed papers written by scholars in this volume. Discourse, Dialogue and Characterisation in TV series aims to contribute to the growing scholarship on the so-called field of Television Studies through a number of critical essays that offer distinct critical approaches to a selection of fictional (digital) TV series, thus evincing the extent to which these types of narratives that are so embedded in popular culture today may be studied from multiple approaches.
We remain indebted to the Valencian Government (Generalitat Valenciana) for kindly giving financial support for this publication (project code GVAORG2020-A-035) and also the support afforded by Grant PID2019-110863GB-I00, funded by MCIN/AEI/10.13039/501100011033.
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Using corpus linguistics to study indexicality in Indigenous-authored television drama: Keyword analysis and lexical profiling
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Vulnerable: Intersecting Disability and Precarity in the Fourth Industrial Revolution. The Case of Sam Esmail’s Mr. Robot (2015-2019)
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Techno-gothic anxieties in Real Humans and Humans: Robosexuals, posthumans and cyborgs
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‘Walter’, ‘Walt’, ‘Mr. White’, or ‘Bitch’: The stylistic use of terms of address in Breaking Bad
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Daenerys Targaryen’s language and identity in A Game of Thrones: a corpus-analysis study of her military harangues
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Nosedive: A corpus pragmatics analysis of compliments and laughter
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Only one chance to make a first impression: Characterisation in the opening scenes of TVTV series pilot episodes
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The Intersectional Heroine of Digital TV Narratives: Intertextuality, Affe ct and Fandom in She-Ra and the Princesses of Power
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The discursive representation of domestic violence in Big Little Lies: A Feminist Critical Discourse Analysis of the Cycle of Violence
Licencia
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